Notes on travel, photography, and mindful living
by John Unwin
Ink painting from Penang, Malaysia

Ink painting from Penang, Malaysia

This photograph was taken on March 26, 2025, during a guided tour of Khoo Kongsi, one of Penang’s most iconic Chinese clan temples. Hidden within the historic George Town enclave, Khoo Kongsi is a richly ornamented hall built by the Khoo clan as both an ancestral temple and a communal heart for Chinese-Malaysian heritage. Murals like this, tucked among its stone carvings and red pillars, reflect the community’s values across generations.
In the painting, an elderly farmer stands barefoot by his plow, guiding a water buffalo with a young boy perched atop. The child, clutching a text and reaching toward a drifting straw hat, appears animated—caught between study and play. The elder, gaze raised, follows the boy’s gesture, his demeanor a blend of patience and quiet joy. The buffalo, steady and alert, completes the trio, symbolizing harmony between human effort, nature, and transmission of wisdom.
Alongside, a calligraphic inscription proclaims:
詩書傳家久
耕讀繼世長
“Poetry and books pass down through the family for a long time.
Farming and studying continue from generation to generation.”
This classical couplet embodies Confucian ideals, celebrating the dignity of labor and the continuity of learning. Together, the scene and the inscription reflect a peaceful rhythm of rural life in which tradition and vitality coexist.
Though the figures are static, there’s a quiet energy in the boy’s gesture, a dynamism that doesn’t disturb the stillness of the moment. In the gentle arc between elder and youth, one might sense a truth echoed in many traditions: the old lives in the young, and the present holds the imprint of generations. While not overtly Zen, the composition invites contemplation and hints at the principle of interbeing — the way all things contain and reflect each other.
山人楊玄齋畫
“Painted by the mountain recluse, Yang Xuanzhai”